„The timbre, amplitude, frequency, and duration of every note on Spirit of Eden tell a great, sad story of pop music, a war of art and commerce that birthed a new genre in its wake. Its breadth and scope are intimidatingly large: Silence is as important as tone, stasis is as important as movement. Inky chord progressions resolve into mystery, and lyrics leave only afterimages. The emptiness of its first two minutes allows you to adjust to the dim light of an album recorded in almost complete darkness. Then it just glows.“
2 Comments
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Michael Engelbrecht:
Jeremy D. Larson remembers the TALK TALK album in Pitchfork‘s series „Sunday Reviews“ …
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Norbert Ennen:
VERY TRUE.