Music here is the unspoken language of emotional truth – we only realise how damaged Jane is when she plays Martha Wainwright’s Bloody Mother Fucking Asshole at the end of episode one – so the most emotionally fluent characters have the best taste. “We need music in our lives to love, to make up, and Chloe knows that,” durector Vallée explained to Entertainment Weekly. “She makes playlists for people. And she’s committed and she contaminates everyone around her.”
(Dorian Lynskey, The Guardian)