Inside:
Introduction: Brian Eno: A problem of organization – David Pattie and Sean Albiez
PART ONE – Eno: Composer, musician and theorist
1 The Bogus Men: Eno, Ferry and Roxy Music – David Pattie
2 Brian Eno, non- musicianship and the experimental tradition – Cecilia Sun
3 Taking the studio by strategy- David Pattie
4 Between the avant- garde and the popular: The discursive economy of Brian Eno’s musical practices – Chris Atton
5 Yes, but is it music? Brian Eno and the definition of ambient music – Mark Edward Achtermann
6 The Lovely Bones: Music from beyond – Hillegonda C. Rietveld
7 The voice and/of Brian Eno – Sean Albiez
PART TWO – The University of Eno: Production and collaborations
8 Before and after Eno: Situating ‚The Recording Studio as Compositional Tool‘ – Sean Albiez and Ruth Dockwray
9 Control and surrender: Eno remixed – collaboration and Oblique Strategies – Kingsley Marshall and Rupert Loydell
10 Avant-gardism, ‚Africa‘ and appropriation in My Life in the Bush of Ghosts – Elizabeth Ann Lindau
11 Eno and Devo – Jonathan Stewart
12 Another Green World? Eno, Ireland and U2 – Noel McLaughlin
13 Documenting no wave: Brian Eno as urban ethnographer – Martin James