on life, music etc beyond mainstream

2017 3 Dez

Homage to the original that deftly dances outside the lines

von: Brian Whistler Abgelegt unter: Blog | TB | Tags:  | 4 Kommentare


I’m relatively new to Django Bates artistry, so he is still a bit of an enigma to me. I gather he has many facets. Having first heard him on Anouar Brahem’s Blue Maqams and then on his brilliant new trio album, Beloved, I didn’t know what to expect when I saw this – but I knew I had to have it. I watched a couple live YouTube videos and was intrigued.

For the most part Bates has stayed almost religiously true to the canon of Pepper; there is barely a bar that has been changed with regards to form and structure. Rather than completely reinvent the album as was done to Revolver by San Francisco jazz singer Ann Dyer (Revolver: New Spin,) he has wisely chosen to keep Pepper’s bones intact, for the most part anyway, and instead adds some jazz filigree to the mix, by augmenting it with earthy big band horn parts, a few surprising harmonic twists and turns, occasional funky guitar riffs and subtle groove shifts. He plays a lot of Rhodes piano, deftly riffing here and there, but never muddying the sacrosanct Pepper waters. Amidst the augmented arrangements, all the associated licks and classic guitar solos are reverently played (although not always by guitars,) once again showing Bates has a great deal of respect for the material. There are exceptions: one tune, (and it might be the Sgt Peppers theme itself if memory serves), is mostly in 5/4. But these sorts of liberties are rare.

The vocalist is perhaps the weakest link in the chain. He too stays true to the originals, offering little in the way of reinterpretation. He has the right Brit rock/pop pipes, no doubt, but there is very little to distinguish these vocals. I would describe them as appropriate and serviceable, yet they come off for this listener as a bit flat, i.e. they don’t get in the way of the proceedings, nor do they particularly shed any new light on the material.

That being said, a more radical departure may not have worked. I think of Nguyen Le’s Dark Side of the Moon, a reimagining of the classic Pink Floyd album. It is a far more radical departure from the original, reinventing the material entirely for big band and employing female (as well as males) voices for the vocal chores. Le even adds his own entirely original material to the mix – it’s the complete opposite approach to Bates’s, and while extremely bold, doesn’t seem to find its way onto my player very often. This version of Pepper however, is plain fun to listen to and finds a sweet spot between reinvention and fidelity to the original.

The bottom line is, Bates has managed to create a highly listenable version of a masterpiece, run through the kaleidoscopic lens of Bates’s wild imagination.

Dieser Beitrag wurde geschrieben am Sonntag, 3. Dezember 2017 und wurde abgelegt unter "Blog". Du kannst die Kommentare verfolgen mit RSS 2.0. Du kannst hier einen Kommentar hinterlassen. Pingen ist zur Zeit nicht erlaubt.

4 Kommentare

  1. Michael Engelbrecht:

    Sometimes I like being old-fashioned. There is nothing imo that can come close to the original magic.

    Sgt. Pepper has aways been pure euphoria, sophisticated melancholia and a key to the gates of perception.

    I never even listen to cover albums cause they narrow the horizon, show their tricks, and always miss the gist.

    What you write about the vocals, is the final let-down for me …

    Turn the lights down low, blu ray on, multichannel on, and I‘m in heaven.

    Apart from John Kelman you are the afficionado no. 1 of the classic piano trio :)

  2. Brian Whistler:

    Well I enjoyed it despite the flaws. But yeah, the original is all you need. I agree most of these reimagined versions of classics are a gamble that rarely pays off. All I can say is, I had fun listening to this one. I don’t know how often I’ll come back to it though.

  3. ijb:

    Yea, the Bates album is quite enjoyable. I agree that the vocals are too painting-by-numbers and fall somewhat flat. Other than that, the arrangements are definitely a treat!

  4. Brian Whistler:

    It’s an affectionate tribute. I think he found the middle ground. A better singer with a more adnentifois approach might’ve been cool. By the easy, the two songs that were left out of Sgt Peppers, Penny Lane and Strawberry fields, were also arranged for the project, they can be heard in live versions up on YouTube. In some ways they are the best of the lot. Don’t know why he didn’t include them.

Kommentar hinterlassen

XHTML erlaubte Tags: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>


Manafonistas | Impressum | Kontakt
Wordpress 4.9.4 Design basiert auf Gabis Wordpress-Templates
50 Verweise - 0,207 Sekunden.